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Red Butterfly Page 11
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Page 11
Faces
In daylight
I check faces
to find
the mark of a thief:
averted eyes,
a haughty toss
of the head,
the glimmer of red
in short black hair.
But every face is
blank,
passive,
inscrutable.
I play clapping games
with Xiao Bo
extra loud
to cover the throbbing
of my loss.
Breath
I lie awake listening to
breathing sounds,
but there’s
one that doesn’t fit,
that echoes louder,
every second more intense.
Up on one elbow,
I peer through the dim light
of night in the room.
Labored chokes,
gasp!
huge racking sobs
gasp!
Others are awake,
whites of eyes gleaming in the dark.
Get the ayi!
the girl next to me whisper-yells
as if darkness muffles her voice.
It’s Xiao Bo.
I pick my way through
the maze of beds.
Xiao Bo
by the window
shudders,
shakes.
He had a cough all day
and wouldn’t eat.
Now his skin
burns.
Gone
There is no explanation
when Xiao Bo
doesn’t return.
One day
two days
three days
later.
We ask,
all of us who can talk,
ask,
but there’s only one answer:
He’s at the hospital.
What’s wrong with him?
I don’t know.
What’s he sick with?
We don’t know.
Will he ever come back?
. . .
Nothing
I must protect Lin Lin.
Toby depended on me
to watch out
for her
and Xiao Bo.
I failed with Xiao Bo.
I ask the ayis if I can
move my bed
next to Lin Lin’s,
but they don’t let me.
Every day that Xiao Bo is gone
another stone
is added
to my chest.
I only let myself cry
at night
when no one else
can see,
when the flat pillow
muffles the sound
of my fear.
Return
Toby peers
through the doorway
on his first day back
and my heart does three things:
leaps,
shudders, then
plunges.
Kara!
he says.
When I run to him
he tries so hard
to smile.
How are you?
Toby doesn’t need to say it.
I see truth written
in the lostness of his eyes,
the way his gaze skitters to the spot
where Xiao Bo used to sit
on the floor,
then skitter back,
attempting to focus on my face,
but failing.
Xiao Bo will never come back.
Small Hope
I cry,
cry,
more than I cried for Mama.
Xiao Bo was my friend, and
in Xiao Bo’s smile
hid
a small hope for happy endings.
Now
even that is gone.
Not the First
Sitting at the table,
one of the girls, Yang Zi,
touches my arm,
then withdraws her hand
as if wondering
if touching me
was a mistake.
He’s not the first,
she says softly,
continuing to draw
Chinese characters
in boxes
printed on thin paper.
My friend Xing Xing
died last year.
I glance
behind us
at Lin Lin
rocking
in her special seat,
smiling
smiling
oblivious.
Dance
Toby stays
until we go to bed.
I think he feels bad
he was gone
when Xiao Bo got sick.
He says good night to me,
then pauses,
second-guessing himself,
before he squats to whisper,
It wasn’t anyone’s fault,
Kara.
Xiao Bo inhaled a bit of food
that caused pneumonia.
His voice changes, turns
husky.
He’s at peace now,
you know.
The place where he is,
he doesn’t need to rock
in a wheelchair
when he fancies dancing.
He can stand,
leap,
twirl
all he likes.
Nothing’s holding him back.
After Toby leaves,
I close my eyes, only
to spin
all night
hand in hand
with Xiao Bo
in my dreams.
Summons
Mornings,
afternoons pass,
with Xiao Bo’s empty space
gaping, but
hours filled
feeding Lin Lin,
drawing pencil marks
on paper, even
daring to trace
the lines
of the Gurnsey family
from the photo,
though they turn out so badly
I throw them away.
It comes suddenly,
the day Toby tells me
with a tremor in his voice,
The director wants to see you.
I am in the middle of feeding
Lin Lin her porridge.
But he makes me hand the bowl to him
and go.
Verdict
The director
sits behind her desk
like a queen,
elbows propped,
red lips
curved
in a demure
smile.
Miss Li
stands
to one side
with a notebook,
her pen
tapping.
She’s had a haircut.
Her bangs hang in eyes
lined in bright blue
eyeliner.
My stomach
flips,
somersaults,
rolls.
I really have to pee.
Everything has worked out!
the director says
and claps once,
startling me.
I took care of everything,
she continues.
Your new family will be here
for you as soon as possible.
New family?
The words come out in a stammer.
What happened to my—?
No no no,
she says in English,
swishing away my concerns
with a flip of her hand,
her red mouth
still smiling
smiling.
But why?
The tightness of tears.
The racing
hear
tbeat
of panic.
Why can’t I be with Mama?
The director’s smile straightens,
a thin
offended
line.
That situation was impossible,
she snaps.
They are fifteen years older than the age restrictions
and they disobeyed the law.
Impossible,
she repeats.
I stand
on shuddering legs,
reach deep
to find my voice,
the great,
booming,
sure voice,
because if I don’t speak
up now
I never will.
WHAT ABOUT ME?
The director nods,
folding one hand
over the other.
What about you, Liu Xiao Ling?
What do you want?
I almost forget
Liu Xiao Ling
is my name,
the official name on paper.
Momentary confusion
makes me blink,
falter.
I try to rally,
gather my courage
because
this is my chance,
to tell her that I want Mama
and mountains
and family
and home
and the familiar
but words don’t come
because every hope
has fluttered away
like torn scraps
of translucent paper.
All that’s left are disappointments:
Mama forgetting me
when the ambulance door slammed shut;
Daddy standing so still
as they led me away;
the look that passed
between Jody and Willard
when I begged them to keep me.
Inside, I know
nothing will change
if I choose the familiar.
I will always be separate;
someone will always be sorry.
My good hand clutches
the stubby one at my chest.
It’s impossible,
I repeat.
The director’s smile
returns.
She shuffles papers.
You’re a lucky girl.
You’ll be happy
in Florida.
Crash
In the hallway,
my heart beats to the tempo
of my regret—
What have I done?
What have I done?
What have I done?
I can never go back,
never go back,
never go
back.
Blindly,
I grab the photo
of the smiling Gurnseys
from my pocket,
rip it
into a thousand pieces.
The bathroom
is an empty,
stinking
place.
The window creaks
when I push it open,
toss out
all those shiny pieces
that glint
in pale sunlight
as they flutter down.
Nothing
There have been packages
from Florida—
home-baked cookies,
a purple, sparkly thermos
that keeps water hot,
a sweater with a reindeer
knit onto the front, and,
the day after I turned twelve,
a birthday card with glitter and stickers.
But not one letter from Mama.
Tomorrow
I have spent
what feels like years
waiting for spring,
lying in a room
shivering
with other kids
whose coughs
and
wheezes
kept me awake,
terrified that
another one of them
would slip away.
But now
warmth
seeps through
the metal frame
windows.
I begin to think
maybe I won’t need
my coat forever.
It happens
the same day
the budding trees
in the orphanage courtyard
fracture
into bloom:
Miss Li
says the dreaded/magic words:
Your new family will be here tomorrow.
Today
A van waits
with Miss Li
and Toby
to take me
to my new family,
who are staying
at the Sheraton Hotel.
There are still days of work ahead—
signing documents,
presentation of papers,
photos,
medical exams.
Then I will get a Chinese passport.
After that we will fly to Guangzhou
to the American Embassy
for a visa.
I will see a different
Chinese city
for the first time
since Hangzhou.
But today,
today I will meet my family.
I should feel excited, but
all I can wish
during my long march
from the front door to the van is that
Mama’s face will appear at the gate
so that I can run to her.
The Concept of Good-Bye
The director
stands by the van door,
smiling,
waiting to
pump my hand.
It is a pleasure to meet you,
she says in stilted English.
Then she wishes me
a happy life
in Chinese.
The ayis
have brought all the kids
from my room
out,
even though it took
several trips
in the elevator.
I try not to look too deeply
into Yang Zi’s
cloudy eyes, fearing
what I’ll find there—
hate?
jealousy?
because she told me
she’ll never have a family,
that she’s almost too old
for adoption.
Watch out for Lin Lin?
I ask,
bending to hug Yang Zi
in her wheelchair.
She nods
into my shoulder,
thin arms
tightening around my neck.
Next, I wrap my arms around
Lin Lin’s taught shoulders.
Her mouth hangs open.
She cries in small gasps
and hiccups.
I didn’t know
she could understand so much, especially
the concept of good-bye.
Good-Bye, Toby
In the shiny hotel lobby
by the elevator
Toby says,
Maybe it’s better if you go on without me.
Here it is:
the end I wouldn’t let myself
think about.
I say,
Please come up with me.
But Toby says,
It’s time for your new beginning, Kara.
I’ll say good-bye here.
I say,
Thank you for everything.
Thank you for . . .
but tears
choke all the words I’ve been holding.
Toby says,
Shoot me an e-mail when you get settled.
Let me know how you are.
We’ll miss you around here.
/> He holds out his arms for a hug.
He smells different than I expected
close-up,
a smell that reminds me
he’s not of the orphanage, but of
far-away mountains,
rivers,
and crisp
blue skies.
Could I visit you and your mum
in New Zealand someday?
I ask.
I’m counting on it.
He ruffles my hair.
He walks away, stooped
as if he carries a mountain
on his shoulders.
At the glass doors,
he turns,
waves a last time.
his mouth moving,
Good-bye.
They All Came
There seem so many of them,
too many
for one small hotel room.
They look like their picture,
but now I hear voices that go
with the smiling faces.
Emily
wears a lavender shirt
with a ballet slipper on it.
Rosalie
has a red flower in her hair
with a sparkly center.
The red of it matches
my butterfly clip
that is gone.
And the boys—
David and Ethan
are so tall,
taller than their
mother and father,
who are now my mother and father.
But I can’t think of that now, because
the idea might
crumble
me.
I shake hands
with each of them
and they say,
Hey
or
Hi
or
Nice to meet you.
My left hand shakes their right hands,
my other hand
carefully
hidden
inside my sleeve.
Their mother pulls me into a hug,
crying wet tears
that smear my cheek,
her thick sweater
soft against my face,
her smell like a flower market
in summer,
not a motherly smell
at all.
Please, she says,
let me take your bag.
Do you want to rest?
Do you want anything to eat?
To drink?
They all
look so beautiful,
like movie stars,
especially Emily,
with her
pink shimmery lips
that are better than vermilion red.
Will I ever fit with this
glamorous family of
Gurnseys?
With a pang
I miss
Mama’s
quiet ways,
her measured
gait,
her soft
voice,
familiar
supple
clothes
worn
thin.
Rescue
Maybe my eyes look